ESEN

Study group · Museo Nacional Centro de Arte Reina Sofía · 2025–2026

Aesthetics of Peace
and Tactics
of Desertion

A living tool for navigating concepts, relations, practices, and rewritings. Peace appears here as a field of forces, not as a closed definition.

Open the cartography ↓
MEMORIA · DESERCIÓN · REPARACIÓN · FUGA · CONFLICTO · JUSTICIA · IMAGINACIÓN · CUIDADO · NO VIOLENCIA · AUTODEFENSA · ARCHIVO · DUELO · ABOLICIÓN · PAZ RABIOSA · DESCOLONIZACIÓN · REPRESENTACIÓN ·

01 / Operational tool

Relational cartography

Select a concept to open its rationale, relations, and questions. Change mode to reorganize the field. The search box filters concepts, vocabulary, and relations.

Instruction

Choose an entry

The card will display a thesis, related vocabulary, intersections, and research questions.

Administered orderContested zoneTransformative justice

At the centre lies the dispute over who defines peace, from where, and at the cost of which silences.

02 / Stratified document

Annotated palimpsest

Annotations unfold beside the fragment to which they belong. Deletions, underlining, insertions, and rewritings retain their critical function.

Let us leave peace to beauty queens and popes

What discomfort does peace?

To hell with peace → what other ways are there to inhabit conflict?

Peace is an abstract concept, pero cargado de implicaciones que dependen de who uses it, to whom it is addressed, and where and how it is articulated. It can be a utopia, a non-place, or a situated place under construction.

Responsibility is not exhausted by the individual-collective binary: it involves habits, institutions, temporalities, and the reasons why we act, remain silent, or turn non-action into resistance.

The personal is not the individual

A moment of calm is not enough to call a situation peaceful. Micro-gestures of care matter, but Western individualization can conceal systemic and collective conditions.

PEACE · WAR · NONVIOLENCE · SUBMISSION · JUSTICE · DOMINATION · PUNITIVISM · IMPUNITY

CONFRONTATION → SELF-DEFENCE → RAGING PEACE

Give form to rage. Cultivate anger. Integrate conflict productively without turning it into predetermined violence.

Peace is also a problem of perception. What and who gets to be seen? What violence becomes legible and what remains invisible?

Joaquín Torres García’s cartographic inversion and speculative practices associated with Arabofuturism displace inherited coordinates. Peace is not the restoration of harmony, but a transformation of perspective.

Peace must be decolonized: pulled away from imposed top-down narratives and rethought from those resisting occupation, racism, extraction and incarceration.

I struggle with the concept of peace in capitalist societies traversed by inequality and everyday violence. I prefer to speak of the peaceful: a goal, a desire, an intention.

What would an aesthetics of peace look like beyond the absence of spectacular violence? Can political imagination exist without aesthetic imagination? Perhaps an aesthetics of peace is also an aesthetics of abundance.

Transitional justice allows us to explore peace, memory, truth, and reparation, but its processes are not neutral: they contest which memories are recognized, which responsibilities are assumed, and which forms of violence are made visible.

Peace is not the closure of conflict, but an ongoing process of social transformation and the pursuit of justice.

Desertion and political grammars

Desertion can name the abandonment of languages incapable of representing contemporary life, but also the creation of communities of meaning and new forms of dialogue and cooperation. The question is not only whether to rebuild a grammar, but which mandates, privileges, and institutions must be withdrawn from.

A transformative political project needs music, painting, poetry, photography, theatre, film, and performance, because the imagination of the common is also contested aesthetically.

The use of “peace” can be trivialized in contexts of extreme repression and block any expression other than restraint. Its Western imaginary connects peace, civilization, cleanliness, and linear progress, placing conflict and dissent on the side of the savage.

Peace-civilization plurality of knowledges, interspecies dialogue, semantic fields to be dismantled.

Session notes

  • Peace as a fragile process that integrates conflict.
  • Absolute peace has never been known.
  • Plurality of narratives and repertoires of relation.
  • Personal and collective self-critique.
  • Decolonize peace and leave the Eurocentric view behind.
  • Situated place as an accumulation of experiences, actions, and layers.
  • Do not individualize collective problems.
  • Gains are neither linear nor permanently consolidated.

03 / Embedded visual archive

Images from the palimpsest

Images worked with in the study group.

Imagen del palimpsesto colectivo
Image worked with in the study group. Authorship not identified in the source document; slogan: “Silence makes us complicit.”
Imagen del palimpsesto colectivo
Joaquín Torres-García, Inverted America, 1943, ink on paper. Fundación Torres García, Montevideo.
Imagen del palimpsesto colectivo
Larissa Sansour, still from A Space Exodus, 2008/2009. © Larissa Sansour.
Imagen del palimpsesto colectivo
Larissa Sansour, still from A Space Exodus, 2008/2009. © Larissa Sansour.
Imagen del palimpsesto colectivo
Arabic cover of the catalogue International Art Exhibition for Palestine, Beirut, 1978, featuring Volume virtuel 19 (1974) by Julio Le Parc. Archival image reproduced in the palimpsest.
Imagen del palimpsesto colectivo
Collective working image incorporated into the palimpsest. Authorship not identified in the source document.

Identification sources: Torres-García / Smarthistory ↗ · Larissa Sansour ↗ · Palestinian Museum Digital Archive ↗. Undocumented authorship is explicitly indicated and is not assigned by conjecture.

04 / Constellation

Study group

from the United States, based in Madrid

Bea Abbott

Geographer; cultura visual, research forense crítica y política abolicionista.

Spanish, based in Zamora

Juan Albarrán

Lecturer de Historia del Arte; arte y política, photography, performance y representación de la violence.

Lebanese

Wafa Aoun

Artist e researcher; exilio, desarraigo, duelo, memory y pertenencia.

Argentinian, based in Venecia

Sandra Bustamante

Political scientist, researcher feminista y decolonial; cooperación internacional.

Lebanese, based in Francia

Tamara Choukair Hilal

Researcher independiente y arts worker; archivos de mujeres artists.

Spanish, based in Berlín

Berta Galofré Pons

Political scientist y trabajadora cultural; identidad, alteridad, care y relaciones no opresivas.

Spanish, based in Cuenca

Verónica García Martín

PhDa en Historia contemporánea e researcher posdoctoral.

Argentinian y española

Maia Gattás Vargas

PhDa en Artes especializada en cine contemporáneo. Investigación posdoctoral, teaching universitaria y de posgrado, gestión cultural, curatordo y production interdisciplinaria. Proyectos de arte, cine, ecología y colaboración arte-ciencia.

Uruguayan, based in Montevideo

Diego González Benvenuto

Editor, profesor e investigador en filosofía, ficción experimental, ensayo y artes.

Russian, based in Italia

Anna Gorchakovskaya

Researcher, curator, profesora y activista; prácticas de intrusión, desneutralización y contramapeo encarnado.

Uruguayan, based in Montevideo

Ana Laura López de la Torre

Artist, organizadora comunitaria, docente universitaria y militante social.

Salvadoran

Patricio Majano

Curator y artist.

French, between Île-de-France and Venice

Marion Mille

Trabajadora del arte; human rights, justicia transicional y antipunitiva.

Portuguese

Ana Catarina Pinho

Artist visual, profesora e researcher en photography y cultura visual.

Spanish, nacida en Lugo y based in Madrid

Ana Pol Colmenares

Lecturer de Bellas Artes; trauma, fabulación somática, escritura, teorías transfeministas/cuir y human rights.

Italian, between Madrid and London

Agnese Politi

Researcher, curadora y educadora; prácticas institucionales transformadoras y crítica colonial-moderna.

Italian, based in Madrid

Giulia Quaggio

Historian cultural; Europa del Sur, democracia, paz, memory dictatorial y activismos antinucleares.

Argentinian, based in Madrid

Amelia Repetto

Creadora escénica; formación en medicina, psiquiatría y actuación.

Spanish, based in Gijón

Daniel Valle

Lecturer de Filosofía, artist, investigador y cultural manager; estética y teoría del arte.

Chilean, based in Madrid

Sandra Villanueva Gallardo

Researcher en ciencias sociales y estudios territoriales.

ciudadana planetaria, de base seminómada en Madrid

Mirjam Yazïra Kroker

Artist e researcher transdisciplinar; Antropología Social y Cultural y Bellas Artes.

Direction, coordination, and organization

Direction

Julia Morandeira Arrizabalaga

Researcher, curator y docente; Direction de Estudios del Museo Reina Sofía.

Direction

Lola Visglerio Gómez

Direction of the study group.

Coordination

Elena Corrales Pérez

Coordination of the study group.

Coordination

Ana Vidal González

Coordination of the study group.

Organized by

Museo Reina Sofía

Department of Studies and Study Centre.

05 / Theoretical and methodological framework

Fields of study

Active pacifism

Antimilitarism, anti-war movements, and nonviolence as ethical and political resistance capable of producing languages and social imagination.

Visual culture

Representation of victims, legibility of harm, visual saturation, frames of perception, and the political capacity of images.

Justice and reparation

Transitional and anti-punitive justice, artists’ tribunals, paralegal practices, truth, memory, mourning, and reparative futures.

Fugitive tactics

Fugitivity, exodus, refusal, desertion, abolition, and ways of withdrawing from violent mandates or institutions.

Genealogies

Anti-nuclear and anti-NATO movements, antimilitarist feminisms, ecofeminism, internationalism, and radical Black thought.

Method

Close reading, collective discussion, screenings, work with artworks and archives, workshops, public sessions, and palimpsestic writing.

Bibliography and constellation of authors

Judith Butler, Elsa Dorlin, Susan Sontag, Ruth Wilson Gilmore, Angela Davis, Mariame Kaba, Saidiya Hartman, Fred Moten, Stefano Harney, Rita Segato, Franco “Bifo” Berardi, Marina Garcés, Sven Lütticken, Maria Hlavajova, Ariella Aïsha Azoulay, Elizabeth Jelin, Ruti Teitel, Chela Sandoval, José Antonio Sánchez, Saidiya Hartman, Louisa Yousfi etc.

Official activity at Museo Reina Sofía ↗